In the 1970s era of rock’s theatrical excesses, Sorcery delivered next level performances in which a battle ensued on stage between illusionists portraying Merlin versus Satan. While Alice Cooper and KISS brought costumes and gore to the mainstream, these L.A hard rockers integrated live magic, theatrical drama and fourth wall breaking performance for new heights in musical storytelling.

While Sorcery consists of professional musicians - core group being guitarist Richard (Smokey) Taylor, vocalist Greg Magie and bassist Richie King - two magicians also performed on stage.

The band’s nearly immediate local popularity from their debut in '75 also made them in demand for film and TV.

Enter: Stunt Rock.

Way before Jackass, before Crocodile Dundee, contemporaneous with Kiss Meets The Phantom Of The Park and as timeless as classic Heavy Metal, there was Stunt Rock.

The 1978 low budget, high concept B-movie integrated hard rock, magic, dangerous stunts and an early form of mockumentary filmmaking into an epic feature film about an Australian stunt man reunited with his American cousin in L.A., and all Hell breaks loose.

Sorcery composed the soundtrack—which also served as the band’s debut album —and were shown performing songs throughout the film.

The Stunt Rock soundtrack highlights the sweet spot between the playful, campy occult imagery of the 70s before Satanic Panic and the religious right’s kayfabe outrage pushed bands to tone things down in favor of glam pomp.

What one gets here is pure, knobby occult heavy metal that sounds something like Sin After Sin-era Judas Priest with Robert Plant on vocals, crossed with the melodrama of Alice Cooper and The Who’s rock operas. The songs are taut, quickly shifting from part to part, motif to overture. The tunes are infinitely catchy and laden with attention grabbing titles like “Talking To The Devil”, “Mark of The Beast”, “Stuntrocker” and “Burned Alive.”