Having first made his mark as a songwriter and guitarist for Los Angeles’ ALLAH-LAS, PEDRUM SIADATIAN has etched out a place of his own with his solo work as PAINT. What started as modest 4-track experiments quickly took on a life of their own as Pedrum began distilling his musical and lyrical inspirations into something both timeless and new.

His miniature menagerie of light-psych and proto-punk gems had outgrown their cassette cage and were now ready to be heard. PAINT’s eponymous debut (Mexican Summer, 2018) appeared out of the ether, fully formed. It was praised for its originality and drew favorable comparisons to the likes of Kevin Ayers, Lou Reed and Julian Cope. The mess was the message and the decidedly mid-fi production found Siadatian both honoring and eschewing tradition. This year sees PAINT returning with the release of the ambitious Spiritual Vegas. While Ray Davies-smirks and Kevin Ayers-wit abound, Siadatian’s singular touch is unmistakable. Here we find an emboldened artist coloring outside the lines, unleashing an opus both idiosyncratic and focused—cohesion through diversity.