""BEHOLD: A BLOODY NEW ONGOING SERIES! Out of the ashes of EPITAPHS FROM THE ABYSS, we usher THE TORMENTOR—a new horror host with an unhealthy interest in human anatomy—into the shadow-strewn halls of EC Comics history for our next monthly horror anthology! Hold onto your head (if it’s still attached) . . . because no one escapes THE CATACOMB OF TORMENT!For Her Royal Travesty of Pain's first request: Master storytellers John Arcudi (B.P.R.D.) & Patrick Piazzalungo (Those Not Afraid), Matt Kindt (BRZRKR) & David Lapham (Stray Bullets), and Marguerite Bennett (Batwoman) & Dan McDaid (Shazam!) each take turns manning the rack and turning the red-hot irons for three all-new and blisteringly brutal tales of mayhem and malice in the undying EC tradition!Plus, as an added bonus: A surprise classic from the EC vaults, painstakingly remastered and newly restored to its original coloring.The critics are already saying, “This is literal torture” and “Please make it stop!” Pick up this fearful 40-PAGE FIRST ISSUE—and the Tormentor might just consider letting them go!""More than just a writer, more than just a science-fiction icon, Benjamin J. Carp was a cultural revolutionary. Across 44 novels and hundreds of short stories—including the counterculture classic The Man They Couldn’t Erase—Carp pushed the boundaries of literary respectability for the sci-fi genre and his readers’ perception of reality itself . . . until decades of amphetamine abuse and Southern California excess finally ended a mind-bending career that always just escaped mainstream success. He died in 1982.Until 2025 . . . when Benjamin J. Carp awakens, alive, in a burned-out motel on the fringes of Los Angeles. He remembers dying. He knows he shouldn’t exist. Is he a dream? A robot? A ghost? A clone? A simulation? In his own time, Carp pondered all of these scenarios intensely through his fiction—and, now, as he treks from Studio City to Venice Beach and onward into the paranoid sprawl of 21st-century Los Angeles, he will be called to investigate his greatest mystery yet: himself.In the tradition of Philip K. Dick’s A Scanner Darkly and Thomas Pynchon’s Inherent Vice comes a uniquely fascinating and hilariously deranged excursion into the metatextual nexus where existence and oblivion, past and future, genius and madness, and glitter and grim reality all meet just beyond Hollywood Boulevard . . .